Hypnotica's Gig Reviews 2008

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Sparks  @ Carling Academy Islington, London, UK    Sun 25/05/08

21 Albums, 21 Shows "No.1 In Heaven (1979)"

Support: Gamine

Tickets £20  Standing only

 

Summary:

 

A truly fantastic gig! A packed venue, great atmosphere and a brilliant performance. A privilege to see the first and possibly only ever live performance of my favourite Sparks album. Just wish I could see more dates on the tour

 

Venue

 

Although transport links to the 'area' that the venue is in, are good, finding the 'exact' location was like tracking down the yeti! Barely visible from the high street and 'inside' a shopping complex, the Carling Academy Islington is like a master criminals spy base. We weren't alone thinking it either as a couple of American fans were as lost as we were....

 

Anyway, that aside the venue is your usual smallish venue holding about 800 at full capacity I believe. The walls were all black an it was pretty rough round the edges in my opinion but par for the course I guess

 

Merchandise

 

Great to see a band who understand the needs of fans to spend money at gigs! This was the best merchandise stall I have seen at a gig for a good while

 

There was the usual fare; tee-shirts, bags etc but more interestingly (for me) there was a good selection of CD's and interesting memorabilia

 

My haul consisted of the "Sparks Guide Book" a really nice quality book, CD & poster set, the Ltd. Edition CD & poster version of the new album "Exotic creatures of the deep" and a tour programme - not cheap at £40 for the lot but all the items were great quality and I always like getting something as a memento from a gig

Support Act: Gamine

This shouldn't take long.........We missed them..... Completely! First time I can remember ever missing a support act, good or bad but my state of ill health meant I left it as late as possible to get to the gig. A shame really as they sounded quite unusual from what I'd heard on their MySpace page

 

Setting the scene

 

I haven't quite finished writing my own 'History of Electronic music' yet, but sure enough there's a section on how great the Sparks are and just how influential this particular album was for me - the puzzle will be complete when I open that part of this website!

 

In summary though, it remains "SUCH" a powerful and long lasting memory for me hearing "No.1 Song in Heaven" back in the late 70's - it just blew me away and it still has the same effect now. It's one of my all time favourite records - it's so uplifting, melodic and powerful yet knocks you over the head with the shear throbbing power of that electronic Synth bassline - genius

 

When I saw the announcement that they were going to play it live I nearly fell off my seat! I had booked tickets within minutes and emailed the guys instantly to say how pleased I was and although brief I did actually get a reply! Cheers for that Ron and Russ :-)

 

As the date got nearer my excitement reached fever pitch, so much so in fact it reached simply 'fever' - doh. We were due to get the train down to London the next day but I was struck down with a bug so was sick as a dog - brilliant :-(

The rest is on a need to know basis! but essentially after 'dying' in my hotel room for the day I finally dragged my sorry carcass to the gig

I had to leave it as late as I could so I knew I was going to get a lousy spot as it was standing only but I was unsure as to how full the venue would be. Answer? PACKED! to the rafters - couldn't believe it, we were almost right at the back with about 30 minutes to go

 

By the time the gig had started we had managed to get a bit nearer but still a pretty 'average' viewpoint. Coupled with the fact that for some reason the audience at the venue that night seemed to mainly comprise of people 6Ft tall or more! I didn't realise the Harlem globe trotters were such big Sparks fans....

 

Anyway, I felt too rough to care so just stood patiently waiting for the big moment....

 

No.1 Gig!

 

Having briefly caught some of the previous nights gig online, I had a pretty good idea that they would start on time - 9pm. Sure enough, not long afterwards, with the drummer and additional vocalists in place, Ron appeared on stage to a rapturous chant of "Ron, Ron, Ron, Ron"

 

I couldn't believe it - he looked exactly the same as he did in 1979!!! As the familiar sounds of the beginning of the album kicked in, Russ bounced on stage full of energy and the crowd went wild - this was going to be a seriously feel-good gig!

 

I was in 7th Heaven (or maybe 1st...) I just couldn't believe my luck getting to see this - it was uplifting and nostalgic at the same time. I was transported back in time to my parents house, listening to the singles from the album on a basic mono radio - nearly 3 decades ago

 

As for the age old dilemma - should it be a blueprint of the original album or totally remixed? Well I think they got the balance 100% right

 

To me, the tracks sounded the same enough to be 'almost' identical to the original but subtly tweaked enough to offer something new. I think the main differences where the drum beats - they were 'really' powerful and sounded more commanding than the original but it could just be hearing it live and loud that gives that impression

 

What really impressed me was how 'original' sounding the Analog Synths voices were. With no evidence of a stack of Moogs anywhere I am assuming it was some seriously high quality vintage emulation going on but the quality was spot on.

 

Russ eluded to the fact anyway as he said that only with more recent advances in technology making things more portable was this gig possible

 

In comparison, I would have to say that on the recent Human League - 'DARE' tour, there were a number of patches which jumped out at me as obviously 'not' original sounds from the album or even emulations. I know that album 'note for note' and they sounded 'too' new - not so here. Everything sounded in keeping with the original music so good effort Ron

 

Throughout the gig I thought the sound quality was good, if not great and it seemed to get better as the gig went on though I think a lot depends on where you are standing or sitting at a venue

 

Russ's voice must be taking a battering having so many gigs on the trot and lets be honest the vocal range he covers is pretty extreme. After the initial slightly harsh opening seconds of Tryouts I think his voiced warmed up and from then on it was perfect - no mean feat being able to sing so many songs so well after so many years

 

The atmosphere was so good, it was like a 70's disco - Sparks style! As they ploughed through the album, the crowd got livelier as they were probably all in anticipation of the finale...

 

Although a short album, it manages to pack in all my favourite types of sounds, 'voiceless choirs', 'vocoders' and bouncy rhythmic Synth bass lines

 

The disco inspired feel flows though most of the album with "Beat the Clock" getting the biggest response so far - it rocked with a great beat and good accompanying visuals.

 

It's only when you get to "My other Voice" when the pace changes drastically. It's like a quirky melodic spacey out take from the Hitch Hikers Guide to the Galaxy! - really unusual but it works

 

The Big One

 

It's all good but I'd be amazed if there was anyone there who wasn't waiting on tenterhooks for the big finale....

 

Before it had even started, I heard people doing impersonations of "Disco toms"! "The Number One Song in Heaven" built and built and the crowd loved it...

 

I'd waited a long time for this, I felt like death, we'd been standing for almost 2 hours, it was roasting hot and I was surrounded by people almost a foot taller than me so it meant stretching and straining to get a reasonable view

 

When it got to 'that' final drum roll signifying the last part of the song it just didn't matter - the atmosphere was electric!! the crown went nuts - it was like a religious experience

 

Swathed in multi coloured lights, the backdrop of Ron on keys and Russ charging round the stage also reminded me of seeing them on "Top of the Pops"!

 

I didn't want it to end but before I knew it the aura had subsided and a sea of clapping waving hands spread out in front of me

 

I don't know if they have had, or will have a crowd response like that at any of their other gigs but it was just something else - I am so lucky to have made it

 

Encores

 

This wasn't a greatest hits tour so sticking to the plan of one album a night there was never going to be hours and hours of material. True to form we only got one track as encore but they chose it specially as it was written around the same time as the album. It was called "Dancing is Dangerous". I certainly don't remember hearing it before but it was a good track in a similar disco style

 

The gig drew to an end at about 10pm, so only an hour in total. If I hadn't researched the tour format a bit I would have been disappointed but as the idea is to do an 'album a night' in the original format it was ok

 

Techno Talk

 

Having got to the gig later than I normally would, we were miles away from the stage so I couldn't get anywhere near the kit. From what I could see it was a pretty modest setup, comprising of the obligatory laptop, main Synth / controller keyboard and I think I noticed a rack of outboard at the rear of the stage.

 

The drums were played live as I believe they were on the original album and Steve Nistor the drummer did a corking job!

I feel sorry for musicians who play live, as their every action is dissected on forums the day after! Oops I guess that includes me - though in a nice way....

 

Technically I thought the show was 99.9% perfect - the only issue I heard was with 'one' track (think it was Tryouts... but could be wrong) when the main lead Synth line was very faint and was only brought up a bit after a few minutes - apart from that perfect!

I'd love to know what gear they used on that album, on the video of No.1 Song it looks like Ron is playing a Minimoog and another vintage beast of some sort...

 

Visuals / Live web cast

 

I think the visuals at recent OMD gigs take first prize out of the gigs I have seen recently but these were still definitely a cut above the norm.

 

Aside from the usual stage lights the visuals themselves comprised of moving graphics based on the various album covers etc so they were 'relevant' for a change not just random stock images

 

True to their innovative nature, the Sparks again do the business by providing a FREE online web cast of each gig LIVE each night at 9pm, How cool is that?!?!

 

A few have mentioned the fact that the quality is not great and there are drop outs but lets be honest, what other band offers 'any' kind of live feed let alone  a 'free' one! Check them out while they are still going

 

The absolute icing on the cake would be if they were made available to download, free or otherwise. A DVD of the whole tour would be nice too...(hint hint...)

 

The Audience

 

The atmosphere was fantastic - the crowd were seriously 'up for it'! and there was lots of hands in the air action. Certainly seemed like a house full of Sparks fans not casual gig-goers as there was quite a bit of singing along with the words too

 

I don't think they would have got out alive if they hadn't done an encore as the crowd were baying for more! Even from where I was, I could tell that the band were more than happy with the rapturous response they got at the end - even Ron broke a smile!

 

Summary

Not much to add  to the summary at the start of this review - A brilliant gig! and a one off opportunity - thank you Ron and Russ!

 

 

 

Setlist (Cribbed from official forum...)

 

Tryouts For The Human Race
Academy Award Performance
La Dolce Vita
Beat The Clock
My Other Voice
The Number One Song In Heaven

Dancing Is Dangerous

Band:
Ron
Russell
Steve Nistor (Drums)
Jim Wilson (Backing vocals, Guitar on Dancing Is Dangerous)
Marcus Blake (Backing vocals, Bass on Dancing Is Dangerous)

 
     
     
  Full tour dates

MAY
16th - Halfnelson/Sparks (1971/2)
17th - A Woofer In Tweeter's Clothing (1972)
18th - Kimono My House (1974)
20th - Propaganda (1974)
21st - Indiscreet (1975)
23rd - Big Beat (1976)
24th - Introducing Sparks (1977)
25th - No.1 In Heaven (1979)
27th - Terminal Jive (1979)
28th - Whomp That Sucker (1981)
30th - Angst In My Pants (1982)
31st - In Outer Space (1983)

JUNE
1st - Pulling Rabbits Out Of A Hat (1984)
3rd - Music That You Can Dance To (1986)
4th - Interior Design (1988)
6th - Gratuitous Sax & Senseless Violins (1995)
7th - Plagiarism (1997)
8th - Balls (2000)
10th - Lil' Beethoven (2003)
11th - Hello Young Lovers (2006)

JUNE 13th WORLD PREMIERE OF SPARKS' 21ST ALBUM (2008) Shepherds Bush Empire, Shepherds Bush Green, Shepherds Bush, London, W12 8TT

 

 

 

 

For more information and tour reviews, head over to the Sparks Official website and forum

Review copyright Mat McKenzie www.hypnoticbeats.co.uk   

 

Sparks 2008 - 21 Albums, 21 Shows - Official Programme

sparks 21 Islington 2008 ticket

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie

Sparks Live - Photo by Mat Mckenzie